Towards an Oral, Intertextual Neoanalysis

Towards an Oral, Intertextual Neoanalysis

Source :

• Trends in Classics [ 1866-7473 ] ; 2011.

English descriptors

• Entity :
  • org : Ancient Greece, Cambridge, Ancient Greece, Leiden–Boston–Cologne, Ancient Greece, Leiden–New York–Cologne, Ancient Greece, Oxford, Foundation Text, Harvard University.
  • pers : A. Kahane, A. Rengakos, An Examination, An Introduction, Ancient Greek, Ann Arbor, Antonios Rengakos, B. Powell, B.G.F. Currie, Bruno Currie, C. Tsagalis, Christos Tsagalis, D.L. Cairns, Department, E. Bakker, F. Montanari, G.G. Stroumsa, Homer, I. Morris, I. Worthington, J. Grethlein, J. Jensen, J. Latacz, J.M. Foley, Jasper Griffin, K. Murphy-Judy, K. Wolf, La Tebaida, M. Fantuzzi, M. Finkelberg, M.J. Clarke, Muse Learns, R. Fowler, R. Häag, R.O.A.M. Lyne, Roman Constructions, W. Kullmann, Walter de Gruyter, Wolfgang Schadewaldt.
  • place : Baltimore, Basel, Berkeley, Bonn, Cambridge, Erlangen, Frankfurt, Greece, Göttingen, Indianapolis, Leiden, Leipzig, Los Angeles, Lund, Mackay, Madrid, Minneapolis, Multiplicity, Munich, Nashville, New Haven, Pisa, Rome, Sparta, Stockholm, Stuttgart, Thebes, Vienna, Wiesbaden, York, Zurich.
• Teeft :
  • Achaean, Achilles, Actual performance, Aethiopis, Aetolian contingent, Allusion, Allusive, Allusive reference, Alternative version, Ancient audience, Ancient greece, Archaic greece, Archaic period, Associative mechanism, Bard, Bardic performance, Book cambridge, Burgess, Certain feature, Certain point, Christos, Christos tsagalis, Chronographic epic, Constraint, Creative interaction, Critical reassessment, Currie, Cyclic, Cyclic epic, Cyclic poetry, Cypria, Dactylic hexameter, Diachronic skewing, Diachronically valid, Different kind, Different level, Different social stratum, Diomedes, Doublet, Dramatic epic, Early greek epic, Early stage, Epic, Epic cycle, Epic poetry, Epic song, Epic storytelling, Epic text, Epic tradition, Episodic nature, False tale, Finkelberg, Formulaic system, Fruitful school, Greek epic tradition, Heroic code, High degree, Historical poet, Homeric, Homeric context, Homeric diction, Homeric epic, Homeric poem, Homeric poetry, Homeric research, Homeric song, Homeric testimony, Homeric tradition, Homerische motive, Human type, Iliad, Individual poet, Inherent dynamism, Internal audience, Internal development, Intertextual, Intertextual neoanalysis, Intertextuality, Kullmann, Larger cultural phenomenon, Linguistic variation, Literacy, Little iliad, Local element, Local form, Loose concatenation, Medium reference, Memnon, Metacyclic nature, Motif transference, Mythical material, Mythological tradition, Nagy, Narrative theme, Neoanalysis, Odysseus, Oral, Oral culture, Oral cyclic tradition, Oral epic, Oral epic tradition, Oral intertextual reference, Oral poetry, Oral song, Oral theory, Oral tradition, Orality, Other epic, Other hand, Other tradition, Other version, Other word, Panhellenic, Panhellenic phenomenon, Panhellenic viewpoint, Panhellenism, Performance condition, Performance context, Performative communication, Poetic agency, Poetic agent, Poetic tradition, Present performance, Recent year, Rengakos, Residual orality, Ritual speech, Same time, Shape homeric epic, Significant allusion, Special kind, Specific epic tradition, Stable skeleton, Storytelling, Stronger aspect, Supernatural feature, Symmetrical organization, Synchronic reality, Telegony, Text predating, Textification, Textual fixity, Textuality, Theban tradition, Theoretical issue, Thorny issue, Traditional referentiality, Trojan, Trojan army, Trojan elder, Troy, Tsagalis, Typological structure, Various episode, Various manifestation.

Abstract

• https://api.istex.fr/ark:/67375/QT4-GRS07LFZ-3/fulltext.pdf

Affiliations:

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